Do The Thing You Think You Can't

This month I'm participating in NaNoWriMo – that's National Novel Writing Month for the uninformed. It's an internet campaign that encourages people to write 50,000 words during the month of November. That's roughly 200 pages in book land when you take into account formatting and page size. It's approximately 75 pages single spaced in a word processing document.

Writing this much during the month of November, or any time really, feels nigh impossible for me. I used to say with sincerity that I can't write fiction to save my life, and now here I am writing fiction. Some people might scratch their heads upon hearing that. Aren't I a professional writer? Haven't I been, you know, writing, for nearly my entire life? What's the big deal with fiction? Isn't it all the same? In brief, no.

Yep, I'm writing one of these. Photo by Mahendra Kumar on Unsplash

As a journalist, I write about the world around me. I summarize and synthesize information already available. I don't create anything, I merely convey information. Writing fiction is the complete opposite. The novelist must create an entire world and have it make sense. Even fantasy and science fiction conforms to certain rules manufactured by the author. Characters have to seem like real people with real emotions and motivations, otherwise we deem them “flat.” As someone who has spent decades reporting on real people and real events to suddenly switch gears and report on imaginary people and imaginary events is no easy task. And yet, here I am, doing the thing I think I can't.

This post isn't altogether profound because, well, I've already been writing for two hours every day outside of my writing job, but there's something important for me here about mentioning we're capable of more than we think. We place limits on ourselves and what we presume we can accomplish, but maybe that's inaccurate. When I hear about incredible things other people do my first reaction is usually, “I could never do that.” But could I?

My spiritual teacher says something to the effect of exhaust all of your own strength and energy and then if you're supposed to continue, the universe will give you more strength and energy. That's not a recipe for burnout, by the way. It's not an invitation to run ourselves ragged. Rather, it's the acknowledgment that if you're lost, wounded, and starving in the woods, for instance, if you're meant to live, somehow you'll find the reserves to crawl 200 miles on your hands and knees to civilization. That's not an exaggeration, by the way. It's the true story of Hugh Glass, who Leonardo DiCaprio depicted in the movie The Revenant.

What I'm saying here is we are all capable of more than we think. Will I be able to write a total of 50,000 words by the end of this month? I'm not sure, but I'm working toward that every day. I'm tackling something seemingly impossible for me and doing the thing I think I can't. And even if I fail, this process is stretching me in ways I never anticipated and that in and of itself is valuable.

I dream of a world where we do the things we think we can't. A world where we realize we are stronger, smarter, and more capable than we are aware. A world where we realize if something is meant to be, the universe will lend us a hand.

Another world is not only possible, it's probable.

Internalized "-Isms"

This week I've contemplated the internalization of “-isms” such as racism, sexism, and classism. These are the ways that we've accepted our inferior or superior status. For me, I've realized how much the way I view writing and reading is tied to patriarchy. And maybe intellectualism. I like women's fiction, also called chick lit. Think Bridget Jones's Diary or Confessions of a Shopaholic. Those aren't my favorite books, but I mention them because Hollywood turned them into movies so they're more well-known.

I feel a sense of shame mentioning chick lit is my favorite genre because it's looked down upon. It's not serious or somehow “worthy.” In Joanna Russ' book How to Suppress Women's Writing, she mentions the various ways women are discouraged from writing. It's assumed women didn't write the things they did, or they channeled something outside of themselves, or they are judged more harshly for writing about the same things as men. In other cases, women are told they shouldn't have written the things they wrote. There's a notion certain subjects are more acceptable and worthy of acclaim than others, and wouldn't you know it, those topics are most often addressed by men.

Maybe my taste is influenced by an "ism." Photo by Rey Seven on Unsplash.

Love stories by women and for women are disparaged. I've internalized that viewpoint so much that a part of me doesn't want to tell you I'm writing a love story because it's not serious enough. It's no Moby Dick, it's not the next Great American Novel, and a part of me worries what other people will think of me. I'm not looking for reassurance here, I mention all this to demonstrate how subtle “-isms” are. Until I read Russ' book, it didn't occur to me that perhaps my perspective on women's writing, including my own, was skewed by patriarchy and sexism. I didn't question why working on my book felt a bit like a furtive teenager stealing liquor from her parents' stash.

My spiritual teacher says, “In the existential sphere there cannot be any sort of complex, and our social order should be such that there remains no room for any complex. We have to make such a social order and we have to make it immediately without any loss of time.”

By complex he means inferiority complex, superiority complex, or fear complex. To paraphrase, he says we are all divine children of God, no one lesser, and no one greater. I'm not doing myself any favors by thinking the things I'm writing about are drivel because they primarily interest women. It's more helpful for me to address not only the obvious forms of “-isms,” but also the subtler, concealed ones as well. Only then can we create a world we wish to see.

I dream of a world where we examine the ways we're contributing to “-isms” internally. A world where we question why we think certain things are true. A world where we recognize and work toward the notion no one is better or worse than any one else.

Another world is not only possible, it's probable.

Fame versus Significance

I want to make an impact in the world. I want to use my gifts in the service of others. In my mind, if I'm not famous, if I don't have 10 million Youtube followers, then I'm not making a difference. I'm conflating fame with significance. How could I not? When a simple tweet from a celebrity can launch someone's career or shine the spotlight on an important issue, of course I'm under the impression fame and significance are linked.

I realize a person doesn't have to be famous in order to make a difference – there are many teachers, activists, doctors, etc. who do great work in the world and no one knows their name, but the thing is, I'm not a teacher, activist, or doctor. I'm a writer. And in my world, if people aren't reading what I'm writing, then I might as well launch my posts into a black hole for all the good they're doing.

The epicenter of fame.

I talked about this with my dear writer friend Amal, who doesn't have this issue. He reminded me about Herman Melville, who was never a financially successful writer, by the way, even though we have all heard of his book Moby-Dick. Did you know Moby-Dick was a commercial failure and published to mixed reviews? And also that it wasn't until the late 1910s, early 1920s, which is almost 20 years after his death, that people started to talk about him? Moby-Dick was written more than 150 years ago and we're still studying it in school! Talk about significant.

I'm not saying I'm Herman Melville because I'm not, but what I'm coming to understand more deeply is the notion of artists as pioneers, something my spiritual teacher propounds. What does that mean, to be a pioneer? It means often a person won't be appreciated in their time, that they're on the forefront of society, staking out new territory to pave the way for future generations. What this means is just because a person isn't recognized, isn't popular or famous, doesn't mean they're not doing good work.

That sounds obvious I know, but right now our society places so much emphasis on social capital. “How many Twitter followers do you have? Who regramed you Instagram? Did anyone share your Facebook post?” Right now it seems easy to become famous from your living room and when 1.4 million people like a Facebook post, they turn into an important person, at least in my mind. But will any of them be remembered in 150 years? Will I?

The ultimate point I'm making in a roundabout way, is it's not my job to worry about fame. Fame doesn't necessarily mean a person is making a difference, it just means people are paying attention to them. It's my job as an artist and writer to keep being a pioneer, to keep transmitting messages and inspiration that I receive, and to surrender the fruits of my labor. It's not my job to attract Facebook followers or to cultivate a name for myself. It's my job to use my gifts regardless of how much attention I receive. And not just my job, everyone's job. We are all special and unique human beings who may never get the recognition we crave, but that doesn't mean what we're doing isn't worthwhile or that it's insignificant.

I dream of a world where we understand fame doesn't necessarily translate into significance. A world where we realize we have no idea what the future holds or what the fruits of our actions will be. A world where we keep doing the work required of us, letting go of the outcomes.

Another world is not only possible, it's probable.

Creating a World We Wish to See

After writing my post last week, "The Role of the Artist (and Writer)," I was inspired to do something. Why not create a world where artists and writers are supported for the work they do? To that end, I started a Patreon campaign. I created a video to explain a little more:

If you're more of a reader, a Patreon campaign is kind of like kickstarter, but instead of raising money for one big project, it's support on a continuous level. By contributing, you are not only supporting me, you are supporting you. You are supporting yourself because I do not create art for art's sake -- I create art for service and blessedness. I create to inspire, to encourage, and to uplift. Not myself, but you.

By contributing to my Patreon campaign you are valuing your own spiritual growth and progress because my job as an artist and writer is to bridge the finite and infinite, the mundane and the transcendental. By contributing to my Patreon campaign you are saying, "Yes, I want more of that. Yes, that's important to me."

The money itself doesn't matter so much. I mean, of course I could use a few extra dollars in my pocket, but mostly what's important to me is creating a world we wish to see. A world we want to live in. So often we lament the state of the world today and long for a better future. By contributing to my Patreon campaign, in a small way we can create a society that values and supports its artists. A world where artists are allowed to continue to create because they have the backing of their community.

I realize not everyone is flush with cash, and that's fine; there's no minimum to contribute -- even $3 a month would make a difference. And perhaps you know someone else who would also support this message and what we're trying to accomplish here. It is only together that we will create a world we wish to see.

Another world is not only possible, it's probable.

The Cosmic Magician

Lately I've been humbled and in awe of the magic, the mystery, and the surprise of life. So often I think I know how things will play out and I'm being shown, yet again, I have no idea. This has come up especially in regard to people.

I met someone in December 2013 who I liked right off the bat and had high hopes for his involvement with my yoga and meditation community. He seemed so keen and enthusiastic. He came to our newly formed group meditation a few times consecutively and then stopped. I wrote him off, never expecting to see him again except on facebook. Someone else in the group said, “Well, that's the last time we'll see that guy again.” But it wasn't. About a year later, “that guy” surprised us by coming around again. He's shown himself to be a dedicated member of my community, and much to my surprise, he's a dear friend and an important person in my life. Go figure.

We are all working with a comic magician.

Similarly, three years ago I connected with someone and felt affection for him right away. We hung out a few times and then I didn't hear much from him again. I assumed he would be a peripheral friend, someone I'd invite to a party, but nothing more. Color me shocked when he called me up last week to catch up and reconnect. That's not how I was expecting things to play out. And that's the point – I never know how things will play out. I throw myself into a tizzy thinking about the future because I'm absolutely sure I know what will happen. If I'm not friends with you now, I won't be friends with you later. If I'm single now, I'll be single forever. If I'm in debt now, I'll be in debt forever. It's a small thing, but these two men remind me I have no freaking clue what the future holds and also demonstrate to me someone else is in charge here.

Indian-American economist, author, and professor Ravi Batra wrote a book in the late 80s that became a number one New York Times bestseller. He attributed his success to the “cosmic magician.” I love that. It certainly seems that way when something unexpected and amazing happens like writing a runaway bestseller when all your previous books weren't as successful. Thinking of the cosmic magician reminds me amazing and magical things can happen and they're not up to me. I'm not the one responsible for outcomes, or the fruits of my labor, if you will. Not just with writing, but with everything.

My spiritual teacher says, “Behind this world's creation, there is a cosmic magician who has created the universe and also controls it. In fact, whatever has been or shall be created is He and He alone. Those who have realized this truth attain blessedness.”

When I can remember the cosmic magician, I can relax because it means I'm not responsible for everything in my life. Some things yes. But everything? No. There are greater forces at play in the world that have absolutely nothing to do with me. Furthermore, I remind myself of what the true essence of all things is: the divine. When I do that, the whole world sparkles and life becomes magical.

I dream of a world where we remember the cosmic magician. A world where we realize there are greater forces at work than we often credit. A world where we allow ourselves to be open to whatever comes our way because we have no idea what's ahead.

Another world is not only possible, it's probable.